zaterdag, maart 28, 2009
gbdb kavel 92
Nu al weer met een tweede set foto's op funda, Pedro Nunesstraat 92. De tweede set foto's is zo mogelijk nog bedroevender dan de eerste. Het lijkt wel of ze dit huis niet willen verkopen. Overigens €575.000 k.k., erfpacht niet afgekocht, woonoppervlakte 150 m2.
zie: funda
zie: funda
vrijdag, maart 27, 2009
donderdag, maart 26, 2009
gezellig
Soms is er zelfs al sprake van een kerstmis met kaarsen en kadootjes en openhaardachtige gezelligheid.
dinsdag, maart 24, 2009
trespa
Vandaag is het trespa met de kunst aangekomen. Deze week gaat het nog tegen de gevel. Ook het zink komt deze week af.
gbdb kavel 157
Cornelis Zillisenlaan 90.
Van de architecten:
"(…) The most wonderful in a room is the light that comes through the window of the room. The sun never knew how great it was before a room was built (…)
Louis Khan
The closed façade offers a “statement” by reacting on its neighbours by contrast.
Only on the ground floor is the white volume cut off. At this point the front facade is pushed backwards, like a scenario, allowing the perception of the stair.
Behind the closed façade a “light-route” is created: after experiencing exposure and light intensity on the ground-floor, the visitor gets on the first-floor the feeling of stepping into an enclosed darker staircase. Through it’s form, which at some points is cut off to allow light penetration, and the contrast between fully open and fully closed, a light-game arises, which floor after floor guides and surprises. At the end of the route, via one sharp roof opening, the visitor feels again the confrontation with an intensive bath of light.
The stair climbs through the whole house next to a facility’s unit which on the ground floor separates the transparent hall from the intimate living room, and in the other floors, the circulation area from the sleeping / working rooms. By situating both staircase and facility’s unit directly behind the front façade, these spaces become flexible, less deep and bright. The windows of the back façade which in each room are different in form and size offer to every space a different light quality.
In the void of the living room, the sculptural fire-place connects the ground floor with the first floor.
In this way, and embraced by light, one high impressive space is created."
Kennelijk hadden de architecten een modern en zen-achtig huis in gedachten. Ik vind het dan wel weer grappig dat de bewoners zo'n klassiek ensemble in de etalage zetten. Eigenlijk is de combinatie zo spannender.
zie: Rocha Tombal Architecten
Van de architecten:
"(…) The most wonderful in a room is the light that comes through the window of the room. The sun never knew how great it was before a room was built (…)
Louis Khan
The closed façade offers a “statement” by reacting on its neighbours by contrast.
Only on the ground floor is the white volume cut off. At this point the front facade is pushed backwards, like a scenario, allowing the perception of the stair.
Behind the closed façade a “light-route” is created: after experiencing exposure and light intensity on the ground-floor, the visitor gets on the first-floor the feeling of stepping into an enclosed darker staircase. Through it’s form, which at some points is cut off to allow light penetration, and the contrast between fully open and fully closed, a light-game arises, which floor after floor guides and surprises. At the end of the route, via one sharp roof opening, the visitor feels again the confrontation with an intensive bath of light.
The stair climbs through the whole house next to a facility’s unit which on the ground floor separates the transparent hall from the intimate living room, and in the other floors, the circulation area from the sleeping / working rooms. By situating both staircase and facility’s unit directly behind the front façade, these spaces become flexible, less deep and bright. The windows of the back façade which in each room are different in form and size offer to every space a different light quality.
In the void of the living room, the sculptural fire-place connects the ground floor with the first floor.
In this way, and embraced by light, one high impressive space is created."
Kennelijk hadden de architecten een modern en zen-achtig huis in gedachten. Ik vind het dan wel weer grappig dat de bewoners zo'n klassiek ensemble in de etalage zetten. Eigenlijk is de combinatie zo spannender.
zie: Rocha Tombal Architecten
maandag, maart 23, 2009
deurposten en trapgaten
Vandaag zijn de deurposten (min of meer) geplaatst. Er missen er nog twee, van onze slaapkamer en van het atelier. Misschien kunnen die nog nabesteld worden.
De trapgaten zijn nu echt allemaal open gemaakt. Waarschijnlijk om de deurposten naar boven te krijgen. Je kunt je al wel voorstellen hoe prominent het trappenhuis zal zijn.
De trapgaten zijn nu echt allemaal open gemaakt. Waarschijnlijk om de deurposten naar boven te krijgen. Je kunt je al wel voorstellen hoe prominent het trappenhuis zal zijn.
zaterdag, maart 21, 2009
geen stijl
Pas geleden zei ik nog dat ons huis geen stijl heeft. Lees ik donderdag in de NRC Next dat wij juist heel actueel "Fusion" zijn. Ik was twintig jaar geleden al "Fused".
bron: NRC Next
bron: NRC Next
Abonneren op:
Posts (Atom)
